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It was really hard, but he just told me what to play.’ And I thought: Yes, because when I hear those few notes, it’s so simple, it’s so George.” He wanted me to bend this note like three times. Dhani was talking to Eric, and Eric said, ‘You know, your dad told me what to play. “I always just thought, ah, Eric - so beautiful, so perfect. “When I put the needle down on the first record, and I hear that introduction to ‘ I’d Have You Anytime,’ I’m in for the whole album,” Olivia said. Even the other musicians were a kind of extension of Harrison, something that was recently reaffirmed for his wife. Musically, the album has the looseness of a live jam band - a very good jam band - but also the tightness of carefully crafted songwriting by a late bloomer chomping at the bit. “He wasn’t trying to steal anybody’s song,” Olivia said.
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“And he got sued for it!” Olivia said, laughing - referring to the messy 1976 lawsuit in which a judge ultimately ruled that Harrison “subconsciously” copied “He’s So Fine” by the Chiffons. Who else would have seamlessly stirred the Black gospel tradition with Hare Krishna mantras into the No. Perhaps because it contains an entire universe, the body and soul of a deep thinker pondering relationships between humans as well as with the divine. But Billie Eilish upends clichés on sumptuous ‘Happier Than Ever’īillie Eilish’s ‘Happier Than Ever,’ the followup to her quadruple-platinum debut, looks back at her ascent and surveys the damage. It outsold all of his fellow Beatles’ solo albums. 1 on the Billboard album chart after it came out in November 1970, and was nominated for album of the year at the Grammys. Then he took that energy and his merry band of friends - including Preston, Ringo Starr, Eric Clapton and the group that would become Derek and the Dominos - into Studio Three at Abbey Road and poured his heart out. When the Beatles split up, the 27-year-old Harrison went to Woodstock, N.Y., and jammed with The Band and Bob Dylan in May 1970. “Isn’t It a Pity” was written in 1966 and almost made it onto the “Revolver” and “Let It Be” albums, but instead sat in darkness. Many were auditioned and workshopped as Beatles songs but didn’t make the cut, and Harrison gave away the rejected “ My Sweet Lord” and “ All Things Must Pass” to his friend Billy Preston. George Harrison, shyly strumming and harmonizing behind the competitive wattage of John Lennon and Paul McCartney, had been tending to a whole garden of his songs from 1966 through ’69. It was kind of the same feeling I had when they did the remaster of ‘ Sgt.
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And then, suddenly, once you hear it you can’t unhear it. The sonic soup in the middle was fogging it up. “I thought there were tracks that we just had muted, but they were in there. You feel a connection with him.”ĭhani’s ears perked up at discoveries such as the synthesizers in “Isn’t It a Pity,” which were previously inaudible “just due to the clarity and the reverb and the digital compression on the remaster from 2001,” he said. You still have the power behind it, but I think George is more present - and very intimate. That seemed appropriate at the time.’ So I think Paul and Dhani have been very balanced in how they’ve liberated some of them. “He said, ‘I’d like to liberate some of the songs from the big production. “There were things that were smothered in there,” she admitted. Olivia, who represents Harrison in Beatles business at Apple Corps Limited, was wary about that at first, “but actually they were right,” she said, citing her husband’s stated belief - from his introduction to the 30th-anniversary remastering - that these songs “can continue to outlive the style in which they were recorded.” Thanks to modern technology, the new mixes of classics like “ My Sweet Lord” and “Isn’t It a Pity” spotlight formerly buried instruments and elevate Harrison’s voice above the famous “wall of sound” created by the late producer Phil Spector. Hard Summer festival promoter Insomniac did not require proof of vaccination or a negative COVID test to attend, contrary to county and state recommendations.ĭhani and Hicks spent two years plumbing and remixing all 18 reels from the summer 1970 sessions at Abbey Road. 160,000 music fans pour into SoCal’s Hard Summer festival in face of Delta variant surge